• 《民国家具与室内装饰的典型特征及根源分析》
  • 作者:张颖泉著
  • 单位:南京林业大学
  • 论文名称 民国家具与室内装饰的典型特征及根源分析
    作者 张颖泉著
    学科 家具设计与工程. 传统家具风格与艺术
    学位授予单位 南京林业大学
    导师 吴智慧指导
    出版年份 2019
    中文摘要 民国时期是我国历史上较为特殊的时期,它承上而启下,承古而拓今。但就是这样一个只是短短存在了30年的大动荡时期,民国的家具及室内设计却融汇中西,形成了自己的风格。本文旨在分析和归纳民国时期家具及室内装饰的典型特征和时代风格,并追溯其产生的根源。通过对这些问题的研究,可以为当下相似问题的解决提供借鉴,并为现在逐渐兴起的民国风格餐饮、酒店、家居设计提供参考,从而更好地传承本民族发展过程中形成的优秀文化。 本文综合运用扎根理论—结构建模法、结构方程模型法、主成分分析法和色彩模型分析法等方法,通过对以金属和藤为典型的民国家具材质特征的分析,以及对民国家具与室内的整体布局特征、整体色彩特征的研究,得到以下研究结果。(1)民国金属家具的阶层差异性与趋近性及其根源的整体作用机理模型。(2)民国藤家具的形象特征及其中西方渊源的结构方程模型(SEM)。(3)民国家具与室内的整体布局的均衡特征、角度特征、搭配特征和功能特征及其主成分根源因素。(4)建筑类型和构成要素视角的民国家具与室内的整体色彩特征及其根源。 通过结果分析,本文得出了以下主要的结论。(1)民国家具与室内设计在阶层特征、场所特征、风格特征、装饰特征等方面具有鲜明的时代特征。(2)这些特征的背后具有深刻的经济根源、求美根源、中西方文化的时空交叠根源、审美叛逆根源等。(3)民国家具与室内设计的典型特征及其根源对当代设计具有重要的指导意义:其一,重新认清民国设计风格的实质,走出民国风格“脸谱化”的误区;其二,兼顾不同阶层的需求,尤其要重视中低阶层的需求;其三,学习民国设计中的中西合璧特征,打造具有当今时代感的中国设计风格。 本文研究成果具有以下几方面主要的创新之处。 (1)在家具设计研究方面,首次通过对民国时期金属家具和藤家具的材质分析,发掘了已被忽视的民国时期金属家具和藤家具所具有的时代特征及其根源。具体来说,包含以下3个方面的创新成果。 其一,民国时期的金属家具与藤家具一向不被视为民国特色家具。但民国时期已经有了金属家具的存在,且民国时期大量藤家具的出现,也是一个前所未有的现象,是民国时期技术与政治、经济对外交往的体现。 其二,通过研究,发现了民国金属家具背后的设计风格主要包含了工业美学风格和现代主义风格。并发现了民国的金属家具在设计上存在着明显的阶层差异,但阶层差异相对于木质家具而言被弱化了,在规格设计、艺术设计和功能设计等方面均表现出一定的趋近性。 其三,而在民国藤家具来源方面,此前研究很少。通过大量的考证,发现民国时期出现或使用的大量藤家具主要来源于西方,但西方藤家具的真正起点却是源自中国,从而得出结论:中国传统的藤家具除了通过时间的延续直接影响民国藤家具外,还通过西方的时空折射影响民国藤家具,再加上后期西方自创的纯西式藤家具的影响,三条渠道的综合作用成就了民国藤家具的时代风格特征。 (2)在室内设计研究方面,首次通过对民国家具与室内整体布局、整体色彩的研究,发掘了已被忽视的民国家具与室内布局、色彩上所特有的时代特征及其根源。具体来说,包含以下2个方面的创新成果。 其一,室内设计的核心工作之一是室内的家具布局,而以往的研究恰恰忽略了对民国家具与室内布局风格的研究。本文通过大量实地考察和实例研究,绘制了民国时期建筑室内的相关家具布局图,厘清了民国家具与室内布局具有喜好特殊角度摆放家具及不稳定布局等特征,并分析出其背后具有经济、文化、审美和建筑的根源因素。 其二,民国室内及家具的色彩是民国风格给人最直观的感受,是民国风格最外在的特征体现。但在此前,一直缺乏研究。本文系统地进行了色彩学分析,厘清了民国家具及室内的具体用色方式,发现了不同阶层、住宅与办公空间等均具有具体的用色差异,由此分析出其背后的经济、文化和政治等根源。从而为当代兴起的民国怀旧风,以及相关的学术研究提供了科学的参考依据。 关键词:民国时期;金属家具;藤家具;室内布局;室内色彩;特征
    英文摘要 The period of the Republic of China is a special period in the history of our country, connecting link between the preceding and the following. Under it, bearing the ancient and today. But there is such a just short of 30 years of great turmoil, furniture and interior design is a fusion of Chinese and western of the Republic of China, formed its own style. Through the study of these problems, we can provide reference for the similar problem, and is now gradually rise of style restaurant, hotel, household design to provide the reference of the Republic of China, to better inheriting the national culture formed in the process of development. Based on grounded theory-structure modeling method, the structural equation modeling method, principal component analysis (pca) method and color model analysis method and other methods, we analyze the republic of China furniture material characteristics with the typical case of metal and rattan, and the republic of China furniture and interior layout and colour characteristics. We get the following results. (1) The republic of China metal furniture class differences and reaching and the whole mechanism of its root causes. (2) The republic of China image features of rattan furniture and the structural equation modeling (SEM) of its eastern and western origin. (3) Equilibrium characteristics, angle characteristics, collocation characteristics, functional characteristics and its principal component root factors of the republic of China furniture and interior overall layout. (4) The republic of China furniture and interior overall colour characteristics and its root causes with the perspective for building types and constituent elements. By analyzing the results, the following main conclusions are drawn in this paper. (1) The furniture and interior design of the Republic of China in class characteristics, location features, style and decorative features of overall have distinct era characteristics. (2) Behind these deep characteristics, there are economic root,the pursuit of beautiful things root, Chinese and western cultural overlap root of space and time, aesthetic revolt roots, and so on. (3) The furniture and interior design of the Republic of China typical characteristics and its roots , have important guiding significance for contemporary design: One is to recognize the essence of the design style of the Republic of China, the pitfalls of the Republic of China style "profiling"; The second is balancing the needs of different classes, especially should attach great importance to the requirements of lower and middle classes;Third is the study of the Republic of China the design characteristics of match well of Chinese and western, make with today's contemporary Chinese design style. This paper made the following main innovation points. (1)In furniture design, through the analysis on the material of metal and rattan furniture in the Republic of China for the first time, we discover the neglected metal furniture and rattan furniture characteristics and causes of the Republic of China. Specifically, include the following three aspects of innovation. First of all, during the period of the Republic of China of metal furniture and rattan furniture is always not be regarded as characteristic of the Republic of China furniture, but during the period of the Republic of China has been the existence of metal furniture, during the period of the Republic of China and the emergence of a large number of rattan furniture, but also an unprecedented phenomenon, is the embodiment of the technology of the Republic of China and foreign communication. Second, through research, we found that behind the metal furniture of the republic of China, the design style mainly includes industrial aesthetic style and modern style. And we also found the obvious class differences in metal furniture design of the republic of China. But the class differences of metal furniture weaker than wooden furniture, and it show certain approach in specification design, art design, function design and so on. Third, in respect of rattan furniture source of the Republic of China, in a previous study has always been a mystery. Through a lot of research, found that during the period of the Republic of China in a large number of rattan furniture, mainly comes from western rather than Chinese. But the real starting point of western rattan furniture, is originated in China. To previous research institute no conclusions: traditional Chinese rattan furniture in addition to the continuation of time direct influence of rattan furniture, also through the western space-time refraction effect of rattan furniture, coupled with the late western made-up pure western-style rattan furniture, combination of the three channels era of rattan furniture style characteristic of the Republic of China. (2)In interior design, through the analysis on the furniture and interior overall layout and color designin the Republic of China for the first time, we discover the neglected characteristics and causes of furniture and interior on colour and layout in the Republic of China. Specifically, include the following two aspects of innovation. First, one of the core work of interior design is furniture layout in interior space, and previous studies just ignored the study of indoor furniture layout style of the Republic of China. In this paper, through a large number of field trips and case studies, draw a large amount of indoor general of the Republic of China furniture layout, clarify the characteristics of special angle put furniture hobby and unstable layout in furniture and interior design of the Republic of China, and analyzes the deep reasons of economic, cultural, aesthetic, and construction behind Second, the colour of furniture and interior of the Republic of China is the Republic of China style, give a person the most intuitionistic feeling, it is the embodiment of style's external characteristics of the Republic of China. But the previous studies, this has been a lack of research. This paper systematically analyze the chromatology, clarify the way the specific colors of furniture and interior of the Republic of China, found color differences of different classes, housing and office space, and analyze its underlying causes, such as economy, culture and politics. Rise to the contemporary nostalgia of the Republic of China, as well as the relevant academic research provides the scientific reference basis. Keywords: The Republic of China era; Metal furniture; Rattan furniture; Interior layout; Interior colour; Features
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